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Pure music label group
Pure music label group








  1. #PURE MUSIC LABEL GROUP MAC OSX#
  2. #PURE MUSIC LABEL GROUP 32 BIT#
  3. #PURE MUSIC LABEL GROUP SOFTWARE#
  4. #PURE MUSIC LABEL GROUP PLUS#

#PURE MUSIC LABEL GROUP PLUS#

This album was made at her South Yorkshire home studio during lockdown, with husband, multi-instrumentalist Damien O’Kane engineering and playing most of the instruments, plus the odd part from a band member recorded remotely. So, she decided on a whole album of covers. She put the Oasis cover “Don’t Go Away” on her 2019 album, “Philosophers, Poets & Kings”, and played it live on tour. It’s all storytelling to music, after all. So, re-interpreting newer songs and songs from the non-folk world was not a big stretch. It dawned on Kate back with the Jo Whiley covers, that as a folk singer she was used to re-interpreting existing songs, but usually much older songs. On her second visit to the show she chose The Cure’s “Friday I’m In Love”, and revisits that song on this album, (second single from the album), and it is just wonderful. Kate covered the Oasis song “Don’t Go Away”. Jo invites guests to sing a cover of their choosing, plus their own material. The idea began a few years ago when Kate was rehearsing for the Jo Whiley BBC Radio 2 show. Her dreamy tone and note perfect delivery, plus her innate phrasing, adds the folk element to the different genres covered here. The natural Yorkshire accent is so endearing. First off, the 1986 Bangles song, and I was reminded just how good this cover is and how classy and effortless Kate’s voice is.Īt the end of the dozen tracks, my face ached from smiling! Each song was as though Kate had written it for herself. Surely this would be a car crash moment…No worries, it’s a belter. I then found out Kate’s third single from the album would be the Taylor Swift annoyingly hooky pop smash “Shake It Off”. It must be decent as Susanna Hoffs, lead singer of the Bangles, contacted Kate to tell her she loved this new version. I was very, very pleasantly surprised as to how this now indelibly imprinted original song was such a snug fit for a British folk artist in 2020. So, when I was told British folk star Kate Rusby’s latest solo album was to be an album of a dozen covers, I reserved judgement, but admit I feared the worst!īefore the physical CD arrived, I had access to a digital version of the single, “Manic Monday” – The Bangles classic – and I also saw the fabulously fun video, which features Kate’s young daughters. That this is their heartfelt tribute to those songs and artists, and this is “the album I/we have always wanted to make”. Usually the press blurb accompanying the promo copies to reviewers, declares that these are the songs and artists that inspired and influenced this band or artist. Throw in a calibrated, dithered volume control marked in decibels, and I’m in heaven.When an established band or artist decide to add a covers album to their catalogue, it can often end up sounding like it’s a case of running out of ideas, songwriter’s block for original material, or simply fulfilling a contractual obligation.Ī bunch of tired old songs that have been done to death already, and most never sounding anywhere near as good as the originals. I love being able to play a collection of my masters using the friendly Itunes interface, but with Pure Music bypassing any sound processing that iTunes performs. But I can play my 88.2 kHz, 96 kHz and 192 kHz/24 bit masters and then Pure Music beats any CD source. “When playing 16/44 sources, Pure Music sounds as good to me as the best CD transport anyone can dig up – as long as I’m using a high-quality jitter-immune D/A converter.

#PURE MUSIC LABEL GROUP 32 BIT#

  • Pure Vinyl’s ™ High Quality File Sample Rate Converter (upsample from CD format to files, or also downsample high-resolution audio to 96, 88.2 or 44.1 kHz / 16, 24, or 32 bit files).
  • Some new features coming soon (Q4 2010) (FREE update) include:

    #PURE MUSIC LABEL GROUP SOFTWARE#

    Our own proven, optimized algorithms – not built from a patchwork of “open source” software.64-bit Adjustable 2/3/4-way Crossover with time alignment and minimum phase filters.Uncompressed audio streaming support (up to 192 kHz and up to four separate connections).Supports AudioUnit Audio processing plug-ins (parametric EQs, etc.).Internal Audio Device Selection and Setup (or use Apple Audio MIDI Setup).Supports all iTunes Compatible Audio File Formats.Supports CoreAudio Compatible Sound Cards / DACs / Audio Interfaces.Supports Apple Remote App for iPad/iPhone/iPod Touch.iTunes acts as database, playlist organizer, etc.Based on Channel D’s acclaimed Pure Vinyl audio playback engine.

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    Simply and automatically docks with iTunes Pure Music Server for Mac, works with and improves the sound performance of Itunes.Ģ010 Stereophile Computer Audio Product of the Year Runner-up (after Channel D Pure Vinyl™)

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    #PURE MUSIC LABEL GROUP MAC OSX#

    Note: Pure Music is currently not compatible with Mac OSX Catalina. Description High Resolution Music Server Software for Apple Macintosh Computers










    Pure music label group